Allegorical sculpture

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Allegorical sculpture refers to sculptures that symbolize and particularly personify abstract ideas as in allegory.

Common in the Western world, for example, are statues of 'Justice', a female figure traditionally holding scales in one hand, as a symbol of her weighing issues and arguments, and a Sword of Justice in the other. She also wears a blindfold to represent her impartiality. This approach of using human form and its posture, gesture and clothing to wordlessly convey social values may be seen in funerary art as early as 1580. They were used on Renaissance monuments when patron saints became unacceptable. Particularly popular were the Four cardinal virtues and the Three Christian virtues, but others such as fame, victory and time are also represented. The use of allegorical sculpture was fully developed under the Ecole des Beaux-Arts. It is sometimes associated with Victorian art, and is commonly found in works dating from around 1900.

[edit] Notable allegorical sculptures

• The Statue of Liberty, 1886.
• The figures of the four continents and four arts and sciences surrounding the Albert Memorial in Kensington Gardens, 1872.
• Statue of Justice on the Old Bailey in London
• The Four cardinal virtues, by Maximilian Colt, on the monument to Robert Cecil, 1st Earl of Salisbury in Bishop's Hatfield Church in the English county of Hertfordshire, before 1641.
• In Pan-American Exposition of 1901 in Buffalo, New York had an extensive scheme of allegorical sculpture programmed by Karl Bitter.
• The allegorical group on top of Grand Central Terminal in Manhattan, carved by the French sculptor Jules-Felix Coutan in 1912, represents the Roman gods, Hercules (strength), Mercury (speed) and Minerva (wisdom), and collectively represents 'Transportation'.

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